Futurism and innovation are both great and essential -- but very different, writes Grey's head of creative tech.
...and that's exactly as it should be, writes Ari Weiss, CCO of DDB North America.
Addiction, equality and marketing the matters are adland's biggest themes right now, says CEO at Zenith USA, Moxie and MRY.
YouTube, creators, and fan communities have transformed the definition of "premium content." Brands and agencies can either adjust to this new reality, or they can be left behind, argues Joshua Lowcock of UM Worldwide.
Steinberg on how Fortnight's strategy can benefit marketers in reaching young audiences.
Possible's Hiefield discusses the importance of setting new standards in the industry.
Intel's Yogiraj Graham discusses why technology should be viewed through a creative lens.
Graham-Dixon shares why words matter, especially when it comes to bias (or unconscious bias).
How cashless solutions play a pivotal in growing cannabuisness.
A look at the situation from the other side.
A guide for how companies can capitalize on the sales day that's more successful than Black Friday.
Cara Dorr worked at Coach for 10 years before jumping over to an agency -- which she enjoys more.
It's a sobering time for adland, in the best possible way, writes Hill Holliday's chairman and CEO.
The agency's chief creative officer praised the new Cannes format.
Barry Lowenthal wraps up the Cannes madness with his key observations from this year's festival.
Y&R's Saul Betmead on why diversity is crucial for top creativity.
The head of consumer categories talks about the dangers of brands leaning entirely on love.
Every day during Cannes, industry leaders will serve up their findings straight from the French Riviera -- the good, the bad and the ugly.
Brands are missing out by completely missing the point, says Lisa.
The 2018 Winter Olympics in PyeongChang were a marketing fail, says Organic's VP of client services.
What audiences say about a brand is more important than what the brand says about itself, says AHA's executive creative director.
The executive creative director at SET says social shares, event attendance and email sign-ups are redundant metrics.
Experienced talent is a necessary part of the management equation for digital agencies, the says CEO & President of The ADVERTISING Club of New York.
Brands can play an essential role in the dreams and successes of young filmmakers, says the VP of global client engagement at Branded Entertainment Network.
The Starcom president recognizes the irony in his advice, having worked in an industry that once put glue in bowls of cereal to make milk look creamier.
Here's what we've learned at SXSW so far, says Cogeco Peer 1's VP and GM for the US and Latin America.
Melinda Gates reveals 'aggressive,' male-dominated life at Microsoft as she calls on all of us to redesign the workplace
We need to tear up the blueprint that created "The Old Boys' Club."
The Big Game's ratings were down 3 percent from last year.
This year's Super Bowl will see few risk-takers, says RPA's Jason Sperling.
Those declaring the death of broadcast must always contend with the 100+ million viewers that flock to their TV sets every Super Bowl.
Pumping milk in a grim closet three times a day (maybe crying, maybe on conference calls) is a working mom's reality, says Green Stone's CXO.
The industry doesn't seem to have room for many over 40. But once we reach that milestone, invisible can't be the new normal, says Havas PR's Marian Salzman.
The conference was a very different place in one important way: I wasn't outnumbered on the showroom floor like I have been in the past, says a managing partner at Collins.
Google's head of creative agency development asks how we can translate the right data points into springboards for richer, more relevant creative stories.
Blockchain, bio-hacking and AR are just a few chewy topics adland is tackling this year.
Whether the ads of the future will inspire fear or wonder depends on how we use them, says Ogilvy's worldwide co-chairman and chief creative officer.
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