Why the Ogilvy UK vice-chair believes creativity needs a rebrand.
Kevin Taylor is a former police hostage negotiator. Here, he explains how people should prepare for the new social norms post lockdown.
How to avoid purpose-washing, from some of the UK's top marketers at Campaign's Media 360 event.
The long hours culture is created by things that are both in and out of an agency’s control. Here are some suggestions of what they can change.
Advertising may be a rewarding, engaging and highly sought-after creative career, but there is a dark side to working at agencies: their long hours culture.
Tom & Patch launched their own cryptocurrency Critcoin to get crits from creative directors.
Cryptocurrency's recovery sparks revival of payment trend.
'The boob life' aims to demystify infant feeding with an honest approach.
Now that the Brexit deal has been concluded, opinion is divided on the effect it will have on the UK ad industry and its relationships not only with the EU but also the rest of the world
As WPP recently revealed that all its creative agencies had returned negative growth in the five years to 2019, what does the future hold for this traditional agency model?
Campaign's Faces to Watch 2020 give their advice on how the industry can continue to be an attractive destination for creative talent.
Ending the pandemic relies on the public to follow social-distancing measures and getting the vaccine. How can behavioural science help?
Campaign asked the leaders of the top creative, digital and media agencies and media owners to tell us anonymously what has really been happening to their junior staff and their efforts to recruit the next generation. Some of the 22 leaders were happy to put their comments on the record. Here’s what they had to say.
You & Mr Jones founder clashes with marketing professor.
Christopher Wylie talks to Campaign about creativity and data misuse.
Armando Bo, whose script won an Oscar for Birdman, tells Kate Magee why brands should invest in longer, more meaningful content.
The average face of attendees at Advertising Week Europe this year is that of a young, white man, it has been revealed.
By worshipping at the altar of youth, adland will struggle to move forward. Other creative industries do not have this problem, Sir John Hegarty tells Kate Magee.
The creative powerhouse from London finally arrives in the US after nabbing TV and home-appliance duties for the Korean tech brand.
Sainsbury's stop frame animation ad says the best Christmas gift you can give your family is your own time.