YouTube and P&G's SK-II get serious about beauty gurus

YouTube and P&G's SK-II get serious about beauty gurus

The first in a two-part series about beauty content talks to Google about the first "Beauty Bound Asia" contest and how brands can best connect with YouTubers. Tomorrow: YouTube star Michelle Phan and SK-II

TOKYO — "Beauty Bound Asia," a contest sponsored by P&G skincare line SK-II and YouTube to identify the region’s top beauty content creator, wrapped up in Tokyo on Saturday. After four months of online video challenges and coaching from mentors like YouTube star Michelle Phan, the 23-year old Bangkok-based author of Jane Makeup, Soraya Wongsatayanon, was named winner of the inaugural competition, receiving $10,000 worth of prizes, including camera equipment.

David Powell, Google’s Tokyo-based director of APAC online partnerships and global communities, helps YouTube content creators be successful and get the most they can out of the YouTube platform. To that, he helps promote them, educate them in content creation and provides the use of a dedicated space in Google's Tokyo offices where creators can use professional-quality camera and production equipment free of charge.

Events play a big role. Last year, YouTube organized around 200 events in the region, including FanFests, which connect advertisers directly with content creators, and creator academies, which encourage knowledge and skill sharing between creators. Through these gatherings, YouTube shares best practices and guidelines to creating a successful YouTube following, addressing issues such as self-branding, the fundamentals of creativity, how to deal with negativity on social media — and working with brands.

FanFests are most often organized around creators like musicians and comedians, but Powell said there is a lot of room for growth in beauty-related content. Over the past year, the time spent watching beauty content grew 190%. "Beauty Bound" was a way of building on that momentum, he said. Led by Procter & Gamble’s (P&G) SK-II cosmetics brand as its sponsor, the initiative featured Michelle Phan, a phenomenally successful YouTube creator and entrepreneur, as lead judge.

Powell described the contest as "P&G helping in an authentic way to find the next [major] beauty creator." He explained, "We thought, how can we take the reach of the brand and the know-how of YouTube and put them together. SK-II gets a lot of exposure to creators that they wouldn’t get otherwise; the creators get a lot of one-on-one time, mentoring and coaching. The goal is to help give them the skills and experience to help them reach what they want to on YouTube."

Many brands, he said, "want to connect with YouTubers but don’t know how." Through its involvement in the project, SK-II sought to learn how to achieve that in a more genuine way and with broader scope. The brand already organized "Beauty Circles," he said (events that build connections with leading creators in individual markets). "It’s a case of how do you take that and do it at a much larger scale."

Over four months, "Beauty Bound" saw creators from around Asia take part in numerous online video challenges, while receiving mentoring from Phan and 31 other leading YouTube figures. The contestants were narrowed down to 22 finalists, who assembled in Tokyo this past weekend. Jane Makeup from Bangkok was ultimately selected as the winner, receiving US$10,000 worth of prizes including camera equipment.

Powell said brands in the beauty sector looking to work with creators could learn a lot by looking at the approach by brands in other categories. Coca-Cola, for example, worked with the musician Kurt Hugo Schneider (who has clocked up around 2 billion views), who rendered its bottles as musical instruments.

"The obvious way would have been to just have a Coke bottle close to the camera," Powell said. "But Kurt is known for making music from anything, so they had different-sized Coke bottles being passed around, taking up 40% to 50% of the screen, but really cleverly integrated the product into the video in a natural way."

He pointed to Turkish Airlines as another brand taking the right approach, simply by flying creators to Istanbul and other cities and giving them free rein. The important thing, he said, is for brands to "let go" and "trust the creator" — something that SK-II is showing signs of doing.

"Brands that understand that creators don’t want to be directed are the most successful," he said. "SK-II were clear that ‘You [the creators] are the experts, you tell us what to do’; they didn’t want to dictate and hand out messages. The more you can give creators control, the more success you’re going to have, because they have real connection with their fans and the fans will see right through anything that isn’t genuine.

"A lot of creators," he continued, "would never give away the trust they’ve built with their audience for however much money. [They] turn down shockingly large offers from brands because they don’t think it fits their image or what they want to do."

His advice to creators was also to remain natural and play to their strengths. Looking professional should not be a priority, he said. "It’s not about high production quality. It’s about the content itself as opposed to what you shot it with. Quite often, [as a viewer] you’re peering into someone’s life, so you like the naturalness and the mistakes that come out — that makes it authentic."

At the same time, there is plenty of room for creators to evolve in terms of style and material. Kumamiki, for example, grew her audience from 3,000 to 200,000 in half a year by moving from simple makeup coaching to more lifestyle-oriented content. A collaboration with Toei Films even saw her appear as a Samurai warrior in a piece of content filmed at the YouTube studio in Tokyo.

Engaging directly with fans is important too. Powell cited Bethany Mota as a good example of a creator who does that very well, by setting aside serious time to interact with her viewers. In the beauty category, he said, the most successful creators are those who answer people’s problems, either directly or with the content they produce. That content doesn’t need to be glamorous — it could be advice on how to deal with dry skin, for example — but it should respond to a need and leave people feeling positive.

"I watch content because it makes me laugh or feel good in some way, and I think with beauty it’s just like that as well," he said.

This article first appeared on

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